"The path into the heart of the piece is both clear and infinite." —New York Classical Review


  • February 9, 2022
    Performance of Two Harmonies, Lefrak Concert Hall/Queens College

    Performed by NO EXIT

  • February 11, 2022
    Performance of Two Harmonies, Weil Recital Hall/Carnegie Hall

    Performed by NO EXIT
    Presented by The Collective

  • March 29, 2022
    Performance of Shiny Object Syndrome, Short North Stage

    Al Cerulo, Amplified Perception project

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Mathew Rosenblum is a composer, curator and educator. Through the juxtaposition of different tuning systems and stylistic references, Rosenblum’s work does not live within traditional boundaries, creating a compellingly fresh landscape. He is director of the highly successful Beyond: Microtonal Music Festival, co-director of the Music on the Edge new music series, and Professor and former Chair of the Department of Music at the University of Pittsburgh…

Latest Album

Lament/Witches’ Sabbath

2018, New Focus Recordings

Lament/Witches' Sabbath

Boston Modern Orchestra Project and David Krakauer, clarinet soloist

Northern Flicker

Lisa Pegher, percussion


Pittsburgh New Music Ensemble, Lindsay Kesselman, soprano

Last Round (Ostatnia Runda)

FLUX Quartet and Mantra Percussion

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Selected Works

Falling (2013)

Soprano, Flute, Clarinet, Violin, Cello, Percussion, Piano, and Pre-Recorded Audio

Lament/Witches’ Sabbath (2017)

Clarinet in Bb and Orchestra

RedDust Multi-Media Chamber Opera (2007)

Soprano, Mezzo Soprano, Baritone, four dancers, video artist, surround-sound audio, and chamber orchestra (fl, cl, bs, cl, bsn, ten sax., hn, 2 tpt, bs, tbn, 2 perc, pno, 2 elec. Gt., 2 vln, vla, vc, cb)

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"This is music that transcends speeches, rhetoric, and thoughts and prayers as it cuts straight to the heart." —Stereophile


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